In-depth blog about former slave and boxing legend Bill Richmond (1763-1829); subject of Luke G. Williams' biography, published by Amberley in August 2015.
Showing posts with label tom cribb pub. Show all posts
Showing posts with label tom cribb pub. Show all posts

Tuesday, 15 November 2016

Bill Richmond on Black and British: a forgotten history

Click here to buy my book Richmond Unchained, the ONLY full length biography of Bill Richmond ever written


On Wednesday 16 November, the great boxer Bill Richmond (1763-1829) featured in episode 2 of the BBC2 documentary programme Black and British: A Forgotten History, presented and written by historian David Olusoga.

My biography of Bill, Richmond Unchained, which was published in 2015, remains the only full length biography ever written of this vitally important figure from sporting and social history. To see Bill's life 'recognised' in a major television series is, for me, the fulfilment of a longstanding dream.

You can read more about the series and my involvement in it by clicking here

At the heart of this series is a wonderful project, by which plaques commemorating important figures from black history were erected at locations across the country.

Bill's plaque (pictured above) was unveiled at the Tom Cribb pub in London (it will be permanently installed once the pub undergoes a refurbishment in the new year). Below are a selection of images from the plaque ceremony which took place on Tuesday 13 September, as well as an edited version of the speech I gave at the unveiling.

So read on if you want to discover more about Bill Richmond! If you are then inspired to find out even more about Bill please explore this blog - which contains a wealth of Richmond-related material - or consider buying a copy of my book.
Luke G. Williams, Wednesday 15 November 2016
Email: lgw007@yahoo.com


Actor Hugh Quarshie, a great admirer of Bill Richmond, with author Luke G. Williams
Hugh Quarshie with David Olusoga, the presenter and writer of Black and British: a forgotten history


Artist Godfried Donkor, who has produced several works featuring Bill Richmond, with Luke G. Williams

Luke G. Williams with pioneering boxing promoter and manager Ambrose Mendy
Cruiserweight boxer Richard Riakporhe with Luke G. Williams
Boxers Richard Riakporhe and Richie Rambo Mansende read an extract about Bill Richmond from Pierce Egan's Boxiana
Boxers Richard Riakporhe and Richie Rambo Mansende unveil the Bill Richmond plaque
The life and career of pioneering pugilist Bill Richmond has been honoured by the unveiling of a BBC History plaque at the Tom Cribb pub in London. Luke G. Williams puts Richmond's life in context, explaining the significance of his career and the plaque's location.

Most people have never heard of Bill Richmond, yet before Muhammad Ali, before Jesse Owens and before Jack Johnson,  Richmond was the first sports star of African heritage.

Bill was born a slave in Staten Island, America in 1763. As a teenager he won his freedom thanks to the intervention of an English soldier named Hugh Percy who brought the youngster to England.

Once in England, Percy acted as Richmond’s mentor. He ensured Bill was educated and then apprenticed to a cabinetmaker in York. Bill married a local white woman named Mary, had several children and lived a respectable life as a trained craftsman and family man.

This was an unusual but far from unique existence for a black man in Georgian England.

However, when Richmond was in his 40s something changed ... and instead of continuing with a life of quiet respectability, he decided to enter the world of professional boxing.

Now you must expel all thoughts from your mind of modern boxing when contemplating what the sport was like in Bill Richmond’s day.

For starters, all boxing matches were conducted with bare knuckles. And secondly there were no points decisions or judges. Fights continued until one of the combatants could no longer stand or continue, and sometimes lasted hour upon hour.

In short, bareknuckle boxing was a brutal and unforgiving sport.

Why then might a family man such as Bill Richmond risk injury or even death to enter the prize ring?

The answer, I believe, was what Indiana Jones once called 'fortune and glory'.

In the early 1800s boxing was the biggest and most popular sport in England, and the leading boxers the nation’s most feted and favoured sons.

The ground on which the Tom Cribb pub stands, just off Leicester Square, was the centre of the boxing universe in Georgian England. The early 19th century equivalent of Las Vegas, if you will. A couple of hundred yards to the south, down St Martin’s Street, was the Fives Court, the country’s leading boxing arena, where fighters publicly sparred in front of packed houses and the deal-makers arranged fights. Lords, nobles, MPs, fighters and the working man would all mingle here - united by their shared love of boxing.

Before Richmond entered the prize ring, no other black boxer had succeeded in overcoming the prejudice of the crowd and the public to carve out a successful sporting career, but Richmond was a man with an eye for the theatrical and possessed the steely determination needed to secure social advancement. Through the sheer force of his personality, his charisma and physical excellence he thus became the first black sportsman to achieve national fame and significance.

And he did so without ever succumbing to popular stereotypes – in short, he was a fighter but he was no thug, indeed he viewed boxing as an art, once declaring: “A gentleman, sir, only uses his hands to defend himself, and not to attack; we call the pugilistic art, for that reason, the noble science of defence.”

Despite his advanced age when he first fought in the London prize ring in 1804, Richmond enjoyed a remarkable boxing career. Indeed, he was still fighting and winning significant fights in his mid-50s, and in total he won 17 contests, losing just twice.

In the process of his career, this former black slave became one of the most famous celebrities in England and was also viewed as one of the most skilled boxing trainers in the land. The likes of Lord Byron and William Hazlitt were among those who sought boxing tuition at Richmond’s training rooms.

Unfortunately, Richmond was never quite physically large enough or young enough to win the Boxing Championship of England, but he did play a significant role in two boxing matches between Englishman Tom Cribb and another former slave Tom Molineaux for the English Championship in 1810 and 1811.

For these fights the formidable Molineaux was mentored, nurtured and trained by Richmond.
Richmond had lost to Cribb several years earlier and thought he had found, in Molineaux, a fellow black man young and strong enough to win the English Boxing Championship. The prospect of this ‘black challenge’ to presumed white English supremacy caused a sensation in Georgian England and the two Cribb-Molineaux contests, which Richmond co-promoted, were the biggest and most significant sporting occasions of their day. One writer even commented that the outcome of these fights was more important to England’s future than what happened in the country’s ongoing war with Napoleon.

After his association with Molineaux, Richmond remained a highly respected elder statesman of boxing. He was among the group of pugilists invited to the coronation of George IV in 1821 to act as an usher - a remarkable honour for a man who began life in the colonies as a slave.

In the years before his eventual death in 1829, Richmond and his former arch rival Tom Cribb buried their rivalry and became great friends. Every Sunday the two men would dine together at the Union Arms pub, of which Cribb was the landlord, and it was here, on 27 December 1829, that Richmond spent the last evening of his life, before dying aged 69.

Richmond’s death was marked by the appearance in dozens of newspapers of admiring obituaries and articles about him.

Given that he spent the last night of his life on the premises of what is now the Tom Cribb pub, it is highly appropriate that London’s leading pugilistic public house is now the permanent residence for a splendid memorial to Richmond’s remarkable life, a memorial which has been made possible by David Olusoga's new BBC series A Black History of Britain, which will air on BBC2 this November.

Nearly 200 years since his death, Richmond is, at last, gaining the widespread recognition his remarkable life and career have long deserved.

The above text is an edited version of a speech given by Luke G. Williams at the unveiling event on Tuesday 13 September 2016. For more information on Bill Richmond, check out Luke's book, Richmond Unchained.

 

Sunday, 13 November 2016

Bill Richmond to feature this week in BBC series Black and British: a forgotten history

Click here to buy my book Richmond Unchained, the ONLY full length biography of Bill Richmond ever written


Bill Richmond, pugilistic legend and pioneer of black sport, is to feature in episode 2 of David Olusoga's major new BBC documentary series Black and British: a forgotten history, which will be broadcast this week, on Wednesday 16 November at 9pm on BBC2.

During the making of the series I was delighted to be consulted by the team behind the series, answering many questions and queries that they had about Bill Richmond and his amazing life. I was then doubly delighted when I learned that Richmond was one of the historic figures from black history selected to have a plaque unveiled in his honour during the production of the programme.


It was decided that the Tom Cribb pub, where Richmond spent the last night of his life with his rival turned friend Cribb, would be the perfect location for this plaque. The supportive folk at Shepherd Name brewery agreed, as they had done for the Bill Richmond portrait unveiling within the pub which took place at the book launch for Richmond Unchained last year.

I suggested the wording for the plaque which read:
"BILL RICHMOND: Freed Slave, Boxer, Entrepreneur Spent the last evening of his life here with his friend Tom Cribb 27 Dec 1829."


Filming of this ceremony took place on Tuesday 13 September and I was honoured to be asked to make a speech before the plaque was unveiled by upcoming professional cruiserweight boxer Richard Riakporhe and amateur welterweight prospect Richie Rambo Mansende, an event which was reported on by The Voice newspaper as well as by Boxing Monthly magazine.

Footage from this ceremony features in the season trailer for the Black and British season  and a shot from outside the Tom Cribb also appeared briefly in episode one. Episode 2 - entitled 'Freedom' - will feature the Richmond event, and details of his life in more detail.

The series is described by the BBC thus: "Historian David Olusoga explores the enduring relationship between Britain and people whose origins lie in Africa."

Meanwhile, the episode 2 synopsis on BBC iplayer is as follows: "In the second part of his four-part series, historian David Olusoga explores the business of slavery and remembers the black sailors who fought for Britain at Trafalgar. He also celebrates a Georgian boxing superstar and the men and women who crossed continents in pursuit of freedom."

To see Bill Richmond featured in a major BBC documentary series is a great thrill and I can't wait to see Wednesday's episode!

A visit to Alnwick

It was a beautiful week in August when I visited Alnwick Castle, ancestral home of the Percy family, to give a talk about my book Richmond Unchained.

Bill Richmond, of course, has a strong link to Alnwick and the Percy family - it was Hugh Percy, later the second Duke of Northumberland, who freed Bill from slavery and brought him to England as a teenager. A true humanitarian, Percy also had Bill educated and apprenticed into the cabinet-making trade.

The Alnwick archives had assisted me with my research for Richmond Unchained and when a portrait of Bill Richmond was installed at the Tom Cribb pub in August 2015 at the book launch for Richmond Unchained it was highly appropriate that Hugh's descendant, George Percy, performed the official unveiling.

It has  been a longstanding ambition of mine to visit Alnwick Castle and the invitation to do so while also delivering a talk about my book was therefore an offer I couldn't refuse!

The talk took place on the evening of Wednesday 3 August in the restaurant area of the castle. There were around 20 or so people in attendance, including some who had travelled from Gateshead and Newcastle due to their interest in Bill Richmond, which was very flattering.

My talk focused on the links between Richmond and the Percy family, including references to the material in the Alnwick archives which refers to Bill Richmond.

The audience were attentive throughout and in the Q and A session afterwards asked several interesting questions. I was also delighted to learn from one member of the audience about the fascinating connection and friendship between Percy and the native American Iroquois leader Thayandanegea (also known as Joseph Brant).

Many members of the audience bought copies of Richmond Unchained after the talk and, although he could not attend the event, the current and 12th Duke of Northumberland Ralph Percy, even bought a copy which will be bound and placed in the family library at Alnwick.

My two days in Alnwick were made complete when the team at the castle arranged for myself, my wife and daughter to visit the breathtaking castle, grounds and gardens the day after my talk. All in all, it was a wonderful couple of days and I must thank all the staff at Alnwick, particularly visitor activity manager James Boyd, for making my visit such a memorable one.

Testimonial about my talk:
"Luke's lecture on Bill Richmond complimented a very well written and incredibly detailed book. The depth of the research carried out by Luke is so great that he was able to tailor the talk and focus on the early stages of Bill Richmond's remarkable life, and the engagements with Hugh Percy, the 2nd Duke of Northumberland. Not only did the talk follow the journey of Richmond, but also Luke's personal journey of research. How Luke has managed to find such fascinating information about a gentleman that existed over 200 years ago is a triumph, and I’m sure will be enjoyed by many that read the book or hear Luke talk." James Boyd, visitor activity manager, Alnwick Castle


Sunday, 27 September 2015

The converging worlds of Death and Mr Pickwick and Richmond Unchained



Since Richmond Unchained was published I've had the good fortune to chat or correspond with many people online who have an interest in either boxing, black history or Georgian history.
Author Stephen Jarvis, whose brilliant novel Death and Mr Pickwick was published earlier this year, is one of the most fascinating people I have had the pleasure to correspond with recently. 
To our mutual delight, having both enjoyed each other's books, Stephen and I discovered that there are many parallels between the 'world' of Death and Mr Pickwick and the 'world' of Richmond Unchained.
After he finished reading Richmond Unchained, Stephen kindly invited me to contribute a series of guest posts to the Death and Mr Pickwick Facebook page exploring these connections.
The full series of posts and images I wrote appeared over the past week and I have republished them below.
Click on the links to visit the original posts on the Death and Mr Pickwick page and see the discussions that sprung up around each post.
You can also click here for my review of Death and Mr Pickwick which I advise EVERYONE to read!

Guest post no. 1 - 19 September 2015:

Today, I shall be posting the first in a series of five guest posts by Luke G. Williams, the author of the great new book Richmond Unchained, which I recently reviewed here. So, let me step back and hand over to Luke.
My book Richmond Unchained, which was published in August, is the first ever biography of slave turned bare-knuckle boxer Bill Richmond (1763-1829). Interestingly, many characters and personalities from Richmond’s colourful life also feature in Death and Mr Pickwick, chief among them the writer Pierce Egan and the artist George Cruikshank, who collaborated on the work Life in London.
Before he wrote Life in London, Egan won fame as a boxing writer, with the first volume of his legendary pugilistic journal Boxiana appearing in 1812. In this groundbreaking work Egan featured a lengthy and laudatory profile of Richmond, whose likeness was also captured by Cruikshank.
In what is the first biographical essay ever written about Richmond, Egan introduces him as “a man of colour, and a native of America” and argues that he is entitled to a “niche among the first-rate heroes of the milling art”. Egan concludes his profile by hailing Richmond as “intelligent, communicative, and well-behaved.”
Cruikshank’s original portrait of Bill accompanies this post, as does Richmond Unchained artist Trevor Von Eeden’s re-imagining of Cruikshank’s work. I enlisted Trevor, an accomplished comic book and graphic novel artist, to provide illustrations for Richmond Unchained in a modern-day homage to the illustrated plates and letterpress publication format which is extensively described in Death and Mr Pickwick and was utilised in both Life and London and The Pickwick Papers.
Incidentally, one (of many!) reasons why I loved Death and Mr Pickwick is because of the credit it gives Egan and Cruikshank for the huge influence that Life in London had on the literary scene in the 1820s. Egan is an oft-overlooked figure in literary circles, and Death and Mr Pickwick places him back at the heart of the history of English literature where he belongs!



Guest post no. 2 - 20 September 2015:

Here is the second in the series of guest posts by Luke G. Williams, the author of the new book Richmond Unchained. Over to you, Luke:
One of the many things I found fascinating about Death and Mr Pickwick was the revealing insights it offered into the ‘print shop culture’ of 19th century England, both in terms of the establishments themselves and also in terms of illuminating the lives of many of the leading artists of the day as well as the processes used to produce prints and etchings. As one of the leading sporting celebrities of the day, Bill Richmond, the subject of my recent book Richmond Unchained, would certainly have had prints of his likeness in the windows of the many print shops that populated central London.
The most famous print of Richmond is undoubtedly Robert Dighton’s hand coloured etching of the boxer, entitled A Striking View of Richmond, which was published in March 1810, which accompanies this post.
When this print was first published, Richmond’s pugilistic reputation was on a high due to his famous victory against George Maddox a few months earlier, which had secured revenge for a 1804 reverse against the same opponent. It is therefore fitting that within this print, Dighton renders Richmond in a heroic light, and without the absurdly exaggerated physical stereotypes that characterise many Georgian artists’ conceptions of black subjects. In January 1812, Dighton would produce a similarly complimentary portrait of Richmond’s protégé, Tom Molineaux, which is also shown with this post.
Dighton’s portraits of both men are currently on display in Room 27 of the National Portrait Gallery as part of Simon Schama’s Faces of Britain exhibit, which opened on 16 September and runs until 4 January 2016. Staffordshire figures of Molineaux and the man who defeated him twice, English Champion Tom Cribb, are also part of this exhibit. You can view details of the exhibition here: http://billrichmond.blogspot.co.uk/…/richmond-molineaux-and…
It may also be of interest to readers that a pencil and ink version of A Striking View of Richmond is held within the Royal Collection – this is the image which features on the cover of Richmond Unchained and which I believe was the original work which formed the basis for Dighton’s etching. Copyright restrictions prevent the original Royal Collection image from being reproduced here, but you can view it at:https://www.royalcollection.org.uk/…/bill-richmond-a-striki…







Guest post no. 3 - 21 September 2015:

Here is the latest in the series of guest posts by Luke G. Williams, author of the fantastic new book Richmond Unchained.
For the third post in this series examining the connections between Death and Mr Pickwick and Richmond Unchained, I have decided to focus on The Sporting Magazine. Established in 1792, this influential publication - widely credited with being the first periodical in English history devoted entirely to sporting pursuits - features in one of the many absorbing sub-plots in Death and Mr Pickwick as the novel explores the contribution of the writer ‘Nimrod’ (aka Charles James Apperley) in driving the magazine’s massive explosion in popularity in the 1820s.
As one of the top pugilists of the era, Bill Richmond – the subject of my book Richmond Unchained - frequently featured in the pages of The Sporting Magazine. His first appearance came in the January 1804 issue, with a report of his bout against George Maddox at Wimbledon Common, his debut contest in the major prize ring. A scan of this report accompanies this post, along with Richmond Unchained artist Trevor Von Eeden’s re-imagining of Richmond ‘throwing his hat into the ring’ to challenge Maddox.
In 1804, Richmond was in the employment of Lord Camelford, and The Sporting Magazine revelled in describing his loss to Maddox, mocking his ethnicity and referring to him by the distasteful appellations ‘Massa’ and ‘Mungo’ rather than by his actual name.
Such racist rhetoric was typical of the time. However, as Richmond’s career advanced, and he became more widely known and admired - both for his boxing skills and abilities as a pugilistic instructor - the language used to describe him in journals such as The Sporting Magazine became far more complimentary.
By the time of Richmond’s famous victory against Tom Shelton in 1815, the magazine was barely referring to his ethnicity at all and was now describing him as “perfect in the art of boxing”. Quite a turnaround from his debut appearance in 1804!



We have now reached #4 in the series of guest posts by Luke G. Williams, author of the new book Richmond Unchained, about the world's first black sporting superstar, Bill Richmond. Here's Luke:

In today’s post about the connections between Death and Mr Pickwick and Richmond Unchained, I’m returning to the subject of writer Pierce Egan and artist George Cruikshank. Both men feature within a prominent sub-plot in Death and Mr Pickwick, connected to their collaboration on Life in London.

Before Life in London’s publication in 1821, Egan had written extensively about Bill Richmond in Boxiana, for which Cruikshank was also the artist. As well as his rendering of Richmond in Boxiana, Cruikshank also featured Richmond in his pair of etchings of the famous rematch between English boxing champion Tom Cribb and Richmond’s protégé Tom Molineaux, one of which, entitled The Close of the Battle, or the Champion Triumphant accompanies this post.

The fact Richmond was spearheading a ‘black challenge’ against the reigning English champion results in Cruikshank’s rendering of him being far more negatively stereotypical than in his Boxiana portrait, which was produced a little later - once the passions engendered by Cribb and Molineaux’s interracial battle for boxing supremacy had abated somewhat.

As you can see, both Richmond and Molineaux’s physical features and facial expressions are comically exaggerated here, making them appear grotesque in comparison to the white champion Cribb and his seconds.

Before Life in London’s publication in 1821, Egan had written extensively about Bill Richmond in Boxiana, for which Cruikshank was also the artist. As well as his rendering of Richmond in Boxiana, Cruikshank also featured Richmond in his pair of etchings of the famous rematch between English boxing champion Tom Cribb and Richmond’s protégé Tom Molineaux, one of which, entitled The Close of the Battle, or the Champion Triumphant accompanies this post.

The fact Richmond was spearheading a ‘black challenge’ against the reigning English champion results in Cruikshank’s rendering of him being far more negatively stereotypical than in his Boxiana portrait, which was produced a little later - once the passions engendered by Cribb and Molineaux’s interracial battle for boxing supremacy had abated somewhat.

As you can see, both Richmond and Molineaux’s physical features and facial expressions are comically exaggerated here, making them appear grotesque in comparison to the white champion Cribb and his seconds.



And so we come to the fifth and final in the series of guest posts by Luke G. Williams, the author of the fantastic new book "Richmond Unchained." Thank you very much indeed, Luke. I think this series of guest posts, and the previous series by Phiz's descendant Val Lester, shows the success of the format, so if anyone else has an idea for a series of guest posts they would like to do, do get in touch with me. Here is Luke:
One aspect of the Pierce Egan-George Cruikshank Life in London phenomena I haven’t yet mentioned in my guest posts examining the connections between my book Richmond Unchained and Death and Mr Pickwick is the hugely successful theatrical version of this influential 1821 classic. The success of this dramatic interpretation of Life in London is vividly described in Death and Mr Pickwick. At one point it is mentioned that the production was simultaneously being performed at ten London theatres!

Among the characters in both the original text of Life in London and its stage adaptation was boxer Bill Richmond’s great pugilistic rival Tom Cribb, whose ‘parlour’ – namely, the Union Arms pub on Panton Street – Egan’s protagonists Tom and Jerry visit. An illustration of this scene by Cruikshank appears with this post – eagle-eyed observers will note that on the wall there are two portraits of black boxers, doubtless meant to represent Richmond and his protégé Tom Molineaux.
Richmond himself did not appear as a character in Life in London, but he was mentioned in scene 7 of the three-act musical version based on it, during the lyrics of a song entitled Tom Thumb that focuses on heroes of the prize ring. Firstly referred to by his common, and somewhat demeaning, nickname of “the lilly white”, later in the song he is described more pleasingly as “Mr. Richmond” and as being smartly dressed in a “white smock frock”, a sight that is said to “astonish us”.
Richmond, incidentally, spent many nights at the aforementioned Union Arms pub with Cribb in the 1820s. He even spent the last evening of his life there having dinner with Cribb before passing away at the age of 66.
Today, this site is occupied by Shepherd Neame’s Tom Cribb pub and, since the Richmond Unchained book launch there on 26 August 2015, a memorial to Richmond has resided on the wall of the pub. An image of this memorial also accompanies this post and you can find out more about the Bill Richmond memorial event here: http://billrichmond.blogspot.co.uk/…/earl-george-percy-unve…



Thursday, 10 September 2015

Staten Island newspaper advances Richmond's hall of fame cause


It has long been a source of irritation to myself - and many other Bill Richmond admirers - that he has been denied the widespread recognition his incredible life and achievements warrant.

Although Richmond has been inducted into the International Boxing Hall of Fame, this did not happen, according to the IBHOF's own website, until either 1999 or 2005 (dates on the IBHOF's site contradict each other). By contrast, Richmond's contemporaries Tom Cribb and Tom Molineaux were inducted in 1991 and 1997 respectively.

Similarly, there had been no 'official' public recognition of Richmond's life in the UK until last month when, at the launch event for Richmond Unchained, a memorial to him was unveiled at the Tom Cribb pub in central London.

Even more amazingly, despite Richmond's status as the first black sports star ever, the Staten Island-born pioneer has never been inducted into the Staten Island Sports Hall of Fame.

Finally, though, this might be about to change, thanks to the efforts of Staten Islander Nick Dowen, who brought Bill to the attention of the Staten Island Advance newspaper, whose writer Cormac Gordon has written a splendid story about Richmond, which also gives Richmond Unchained some nice mentions. Click here to read Cormac Gordon's full story. And here's hoping that the Staten Island Sports Hall of Fame take notice!

Friday, 28 August 2015

Earl George Percy unveils Bill Richmond tribute

Author Luke G. Williams and Earl George Percy with the Bill Richmond tribute (Photo Graham Rye)
Author Luke G. Williams poses with a copy of Richmond Unchained (Photo Graham Rye)
The Bill Richmond tribute at the Tom Cribb pub
EARL GEORGE PERCY UNVEILS TRIBUTE
TO WORLD'S FIRST BLACK SPORTING SUPERSTAR 

A permanent memorial to pioneering black boxer Bill Richmond (1763-1829) was unveiled by Earl George Percy at the Tom Cribb pub, in Panton Street, London on Wednesday 26 August 2015 at 2.3opm. 
A plaque consisting of a portrait of Richmond and a summary of his amazing life and career now adorns the wall of the historic pub owned by Shepherd Neame brewery in recognition of Richmond’s position in history as the first black sportsman to achieve international fame and significance. 

The unveiling took place at a launch event for Luke G. Williams’ new book Richmond Unchained: The Biography of the World’s First Black Sporting Superstar, which was published on 15 August by Amberley Books.

Born into slavery in America, Richmond travelled to England in the 1770s thanks to the kindly intervention of Earl Hugh Percy, a British soldier renowned for his humanitarianism, who ensured that Richmond received an education and was apprenticed to a cabinetmaker. It was therefore fitting that Hugh Percy’s direct descendant, Earl George Percy, unveiled this memorial to one of sporting history’s leading pioneers.  

Although he only became a professional boxer in his forties, Richmond assembled an impressive record of 17 wins from 19 contests, while he was also a highly sought after trainer and gymnastic instructor. Richmond was one of the most recognisable celebrities in Georgian Britain, mixing with the likes of William Hazlitt and Lord Byron. A measure of the high regard in which he was held was the fact that he was present at the coronation celebrations of King George IV in 1821. 
 
Author of Richmond Unchained Luke G. Williams said: "Although he was the first major black sportsman in history, Bill Richmond's amazing life, career and achievements have never been recognised with any form of public memorial. I'm delighted that this historical oversight has now been corrected. Hopefully, when future generations drink or dine at the Tom Cribb pub in the future they will see Richmond's portrait on the wall and  want to find out more about this remarkable man."

Earl George Percy said: "The relationship between my ancestor and Bill was remarkable. They began life at opposite ends of the social spectrum and yet this relationship was created between them. Bill went from life as a slave to become a sporting celebrity and an usher at the coronation of George IV. It's an amazing story and he really does deserve this recognition."

Historian and broadcaster David Olusoga (a guest at the event) said: "There were a whole host of Black Georgian figures, like Bill, who were important cultural figures in the city of London a couple of hundred years ago. They have been slightly written out of history, but they were huge stars of their day and we should put them back into our national memory, back into our history."
Historian David Olusoga and author Luke G. Williams
Click below to watch the ITV London News TV report on the Richmond Unchained launch

Further details about Richmond Unchained:
Further details about Shepherd Neame and the Tom Cribb pub:

Wednesday, 26 August 2015

Bill Richmond memorial to be unveiled today at Richmond Unchained book launch





Bill Richmond plaque and portrait unveiling ceremony
& ‘Richmond Unchained’ book launch
Wednesday 26 August 2015 from 2pm onwards
Tom Cribb Pub, 36 Panton Street, London, SW1Y 4EA

The memorial plaque and portrait of Bill Richmond (1763-1829)
will be unveiled by Earl George Percy.

Drinks and canapés will be provided
Event enquiries / media enquiries: lgw007@yahoo.com
Press release and further information (for immediate release):

LONDON PUB TO UNVEIL PLAQUE COMMEMORATING WORLD'S FIRST BLACK SPORTING SUPERSTAR 

A permanent memorial to pioneering black boxer Bill Richmond (1763-1829) will be unveiled by Earl George Percy at the Tom Cribb pub, in Panton Street, London on Wednesday 26 August 2015 at 2pm. 
A portrait of Richmond and a plaque summarising his amazing life and career will adorn the wall of the historic pub owned by Shepherd Neame brewery in recognition of Richmond’s position in history as the first black sportsman to achieve international fame and significance. 

The unveiling will take place at a launch event for Luke G. Williams’ new book Richmond Unchained: The Biography of the World’s First Black Sporting Superstar, which is published on 15 August by Amberley Books.

Born into slavery in America, Richmond travelled to England in the 1770s thanks to the kindly intervention of Earl Hugh Percy, a British soldier renowned for his humanitarianism, who ensured that Richmond received an education and was apprenticed to a cabinetmaker. It is therefore fitting that Hugh Percy’s direct descendant, Earl George Percy, has agreed to unveil this memorial to one of sporting history’s leading pioneers.  

Although he only became a professional boxer in his forties, Richmond assembled an impressive record of 17 wins from 19 contests, while he was also a highly sought after trainer and gymnastic instructor. Richmond was one of the most recognisable celebrities in Georgian Britain, mixing with the likes of William Hazlitt and Lord Byron. A measure of the high regard in which he was held was the fact that he was present at the coronation celebrations of King George IV in 1821. 
 
Author Luke G. Williams said: “The Tom Cribb pub is a perfect location for a permanent memorial to Bill Richmond. Cribb was a champion boxer and contemporary of Richmond who was once landlord of these premises. The two men were initially rivals but eventually became firm friends and spent many evenings conversing and socialising at the pub. In fact, Richmond spent the last evening of his life with Cribb in the pub. 
 
“I am delighted that Shepherd Neame brewery have agreed that Bill’s amazing journey from slavery to sporting superstardom should be recognised with a permanent memorial. For it to be officially unveiled by George Percy, a direct descendent of the man whose kindness transformed Bill’s life, is incredibly exciting.”

Further details about Richmond Unchained:
www.billrichmond.blogspot.co.uk
https://www.amberley-books.com/richmond-unchained.html
Further details about Shepherd Neame and the Tom Cribb pub: