In-depth blog about former slave and boxing legend Bill Richmond (1763-1829); subject of Luke G. Williams' biography, published by Amberley in August 2015.

Tuesday, 24 February 2015

UPDATED! Richmond Unchained cover and title musings




The wonderful folk at Amberley Publishing have produced the draft cover for Richmond Unchained and I hope you all agree that it's rather spiffing!

The cover features Bill in a typically combative pose, as rendered by Robert Dighton in a pencil and ink print owned by the Royal Collection (this, incidentally, is a much clearer, more defined and generally superior piece of work by Dighton compared to the mass produced etching of Richmond held in the National Portrait Gallery and many other institutions).

In the background of the cover are a series of ornate columns and arches - a classical backdrop which I think lends the cover quite an air of gravitas. It was common during the height of Regency 'boximania' for the day's leading pugilistic heroes to be painted within such classical contexts as a means of glorifying their physical perfection and glorious bravery, and linking their exploits to the great mythical and classical figures from the past.

Bill Richmond was - unjustly in my view - never afforded a portrait with such classical trappings though - an oversight that hopefully this cover goes some way to correcting! I can't think of a more appropriate backdrop for a man of dignity, respectability and style such as Bill.

The title of my book - for which Amberley have utilised a particularly striking font - is, of course, a deliberate echo of Quentin Tarantino's 2012 'western' (or, as he argued, 'southern') Django Unchained.

The wording of the title is partly a commercial decision, of course, but there's also a couple of other reasons for choosing it.

Firstly, on a fairly literal level, I think 'Richmond Unchained' neatly represents the way that Bill Richmond overcame his birth as a slave to become a free man.

More importantly, though, the word 'unchained' is symbolic of Bill's mentality. He wasn't only free 'physically', but free in terms of his capacity to aim high and dream big.

Throughout his life, Bill Richmond refused to be shackled by any chains - be they the chains of slavery, or the metaphorical chains which often - at this time - doomed people of Bill's ethnic background to a life of either poverty or humiliation.

Not only that, but Bill ignored the chains of convention by - for example - marrying a white woman at a time when 'intermarriage' (to use the hateful term of the day) was surprisingly commonplace, but viewed by many bigots as unnatural.

In summation, Bill Richmond refused to be contained or constrained by anyone or anything.

He was truly a man whose mind, imagination and life were 'unchained'.







Saturday, 21 February 2015

Richmond Unchained: word cloud


Well, it's been a while since my last post, mainly because I've been very hard at work on Richmond Unchained. The book is now complete and in the 'final checking' stage, prior to submission, editing and proofing. It will be delivered to my publishers Amberley in April and hopefully hitting bookshelves in August!

As a little sneak preview of the book, I've used Tagxedo.com to produce this rather nifty 'word cloud' based on my manuscript. Unsurprisingly, 'Richmond', 'Cribb' and 'Molineaux' seem to come up quite often! Given that the majority of the book is set in Britain - and reflects on attitudes in England / Britain towards pugilism and race - I thought the British Isles themselves made a rather appropriate back-drop to the word cloud!

More Richmond Unchained posts will follow in the next few days. Until then, a reminder of the background to the project ...

RICHMOND UNCHAINED:
The biography of the world’s first black sporting superstar
By Luke G. Williams

Today the name of the bare-knuckle boxer Bill Richmond is largely unknown to the wider public, but he is one of the most significant sportsmen in history and was one of the most celebrated celebrities of the Georgian era. The fact no biography has ever been devoted to Richmond is startling, for the story of his life and career is a compelling and thrilling tale, played out against the backdrop of a series of significant historical events.

As one of the first black men to survive and thrive in white-dominated English society, Richmond is long overdue recognition as one of the key figures in sporting as well as social history. Born into slavery in Staten Island, New York during colonial rule, Richmond escaped from a life of servitude by winning his freedom as a young boy and carved a new life for himself in England as a cabinet-maker and then a renowned and widely respected prize-fighter and trainer.

From his humble origins, Richmond, through force of will and personality, fought his way to the top table of British society, ultimately fulfilling an official role at the coronation celebrations of King George IV in 1821. Richmond’s amazing life encompassed encounters and relationships with some of the most prominent men of the age, including the progressive Earl Percy, the writer William Hazlitt, the dissolute Prince Regent and the wild and untameable Lord Camelford.

The story of Bill Richmond is not only an incredible tale of personal advancement and triumph, but also the story of a life which was shaped, informed and influenced by a series of turbulent historical events – including the American War of Independence, the fight for black emancipation and Britain’s long-running conflict with the Emperor of France, Napoleon Bonaparte.

Luke G. Williams’ biography, the first full-length account of Richmond's life, utilises over a decade of research on both sides of the Atlantic, revealing details, sources and new facts about Richmond’s life that have never before been published. In separating myth from fact and legend from reality, for the first time, the full story of Bill Richmond’s life and times is brought gloriously to life.

Richmond Unchained will feature illustrated material from the Georgian period, as well as new and exclusive illustrations by acclaimed American artist Trevor Von Eeden.

Saturday, 24 January 2015

211th anniversary: Richmond's London debut


Bill Richmond only ever lost two fights, and one of them took place almost exactly 211 years ago on 23 January 1804.

It was Richmond's debut bare-knuckle contest in London and, remarkably, he was already past his 40th birthday. (He wasn't the greatest boxing veteran of all time for nothing, y'know!)

In the opposite corner that chilly winter's day at Wimbledon Common was another great pugilistic veteran - George Maddox - who had just disposed of one opponent (a dustman named Seabrook) and was keen for another victim. Richmond, who was at the fight in the company of his pugilism-obsessed employer Lord Camelford, duly challenged Maddox, but lived to regret it after losing a tight contest.

The full story of this bout will be told in my forthcoming book Richmond Unchained - interestingly enough, the truth behind the fight differs somewhat from what you might have read in the official record books, which invariably (and incorrectly) record this fight as a three-round victory for Maddox.

Maddox certainly won, but not in three rounds. What actually happened is far more interesting, while the reactions of the crowd that day also illuminate what it was like for an unknown black man to enter the prize ring in the early 19th century.

Unfortunately, you'll have to wait to read Richmond Unchained to find out more! In the meantime, suffice it to say that although Richmond lost that day, he went on to gain revenge against Maddox in an unforgettable contest five years later. (Oh yes, that fight also features heavily in Richmond Unchained!)

To compensate for all these shameless plugs there is some new and exclusive content on this page though - Trevor Von Eeden's early pencil sketch recreation of Bill challenging George at Wimbledon Common - by throwing his hat into the ring, of course! The final inked version of this illustration will - you guessed it! - appear in Richmond Unchained!

Wednesday, 21 January 2015

Richmond Unchained to publish August 2015


Bill Richmond: Illustration by Trevor Von Eeden

After the success of my previous books Masters of the Baize and Boxiana: Volume 1I’m pleased to announce the forthcoming publication of my third book. RICHMOND UNCHAINED: The biography of the world’s first black sporting superstar, which will be published by one of the UK’s leading publishers of historical books, Amberley Publishing, in August 2015.

The publication of the book will be accompanied by a series of Bill Richmond related events as well as exclusive extra content and features relating to the book which will be published here on billrichmond.blogspot.co.uk

A synopsis of the project is included below:


RICHMOND UNCHAINED:
The biography of the world’s first black sporting superstar
By Luke G. Williams


Today the name of the bare-knuckle boxer Bill Richmond is largely unknown to the wider public, but he is one of the most significant sportsmen in history and was one of the most celebrated celebrities of the Georgian era. The fact no biography has ever been devoted to Richmond is startling, for the story of his life and career is a compelling and thrilling tale, played out against the backdrop of a series of significant historical events.

As one of the first black men to survive and thrive in white-dominated English society, Richmond is long overdue recognition as one of the key figures in sporting as well as social history. Born into slavery in Staten Island, New York during colonial rule, Richmond escaped from a life of servitude by winning his freedom as a young boy and carved a new life for himself in England as a cabinet-maker and then a renowned and widely respected prize-fighter and trainer.

From his humble origins, Richmond, through force of will and personality, fought his way to the top table of British society, ultimately fulfilling an official role at the coronation celebrations of King George IV in 1821. Richmond’s amazing life encompassed encounters and relationships with some of the most prominent men of the age, including the progressive Earl Percy, the writer William Hazlitt, the dissolute Prince Regent and the wild and untameable Lord Camelford.

The story of Bill Richmond is not only an incredible tale of personal advancement and triumph, but also the story of a life which was shaped, informed and influenced by a series of turbulent historical events – including the American War of Independence, the fight for black emancipation and Britain’s long-running conflict with the Emperor of France, Napoleon Bonaparte.

Luke G. Williams’ biography, the first full-length account of Richmond's life, utilises over a decade of research on both sides of the Atlantic, revealing details, sources and new facts about Richmond’s life that have never before been published. In separating myth from fact and legend from reality, for the first time, the full story of Bill Richmond’s life and times is brought gloriously to life.

Richmond Unchained will feature illustrated material from the Georgian period, as well as new and exclusive illustrations by acclaimed American artist Trevor Von Eeden.

Friday, 9 January 2015

Bill Richmond bookshelf: Pondering Boxiana's reliability

The iconic Boxiana, by Pierce Egan
Over the next few months I’ll be taking the time to review some of the books, articles and research facilities which I have found useful during the decade-long process of researching and writing Richmond Unchained. This series began with a look at Peter Fryer's Staying Power and continues today with my thoughts on Pierce Egan’s  Boxiana.
This is the biggie.
Pierce Egan’s Boxiana is the key text for any serious student of Georgian boxing and remains easily the best-known text connected with the bare-knuckle era. However, its iconic status within the pugilistic literary canon obscures an all too infrequently acknowledged shortcoming; namely that - as influential and brilliantly written as it is - in terms of a source for the facts, dates, circumstances and details of boxing matches of the period, some of what is written in Boxiana needs to be taken with a gigantic cellar of salt.
Before this webpage crashes under weight of outrage from Egan enthusiasts, allow me to develop my thesis ...
It’s my contention that Egan was, first and foremost, a popular writer who was also a magnificent literary stylist. His prose crackles with inventive and extravagant examples of figurative language and vivid descriptive flourishes. Furthermore, in terms of the historical evolution of the English language and of English literature, Egan is a vital and all too often overlooked figure whose widespread influence can be detected in the work of many more traditionally feted and ‘well regarded’ writers such as Charles Dickens.
Socio-cultural analysis of Egan’s idiosyncratic prose is an illuminating route to greater understanding not only of the sport of pugilism itself, but also of the culture which surrounded it. Anyone, for example, interested in emerging concepts of Englishness, patriotism and militarism during the Georgian era can find much of interest within Egan’s work.
(Before I continue, I should point out that those of you seeking to learn more about Egan's unique writing should leave this website right now and go and buy David Snowdon’s wonderful book Writing the Prizefight: Pierce Egan’s Boxiana World. When you’ve done that - and also read the book itself - you’ll be up to speed and can come back here and resume reading this article!)
OK, now that we’ve all read Writing the Prizefight, I can proceed to the second strand of my review, which will examine the limitations of Boxiana. Firstly, it’s worth remembering that the first edition of the book was not published until 1812/ 1813. As a consequence any events that Egan covers prior to this date must be treated with extreme caution, unless, of course, they can be further verified by the existence of other sources.

It is imperative to note that Egan himself was only born in 1772 and is said to have worked in the printing trade before making his name as a writer with the first volume of Boxiana. I therefore consider it highly unlikely that he would have attended the majority of the fights he writes about in the first volume of Boxiana, particularly those which took place in the 18th century, although, admittedly, there is no way of knowing exactly which fights he did and didn't attend.
All of which begs the question: from where did Egan get his information? Well, it’s likely that some of his work was based on anecdotes he heard from fight fans and boxers themselves (hardly the most reliable of sources!) or that he cribbed details from existing reports in other newspapers and journals. There are certainly several occasions when Egan appears to have ‘lifted’ prose, ideas or details from The Sporting Magazine, which began to be published in 1792, as well as various other sources. (Could Egan have been present at some fights and written some of these original reports himself and then later recycled them in Boxiana? This is also a possibility).
My point is: we don’t really know where Egan got his information from and this is why we cannot really take anything we read in Boxiana for granted. I'm sure that Egan wrote the most accurate accounts he could based on the information he possessed. Nevertheless, the haphazard nature of Boxiana's evolution and its lack of historical rigour means that we must be cautious about recycling facts from it without questioning their accuracy.
Let’s take a practical example in order to illustrate this point: namely the Cribb-Belcher fight of April 1807. Over the years I have frequently seen it cited as ‘fact’ that during this contest Cribb’s second Bill Warr effectively ‘stole’ the fight for his man by way of a cunning ‘manoeuvre’ which ensured that Cribb received a ‘long count' to recover from a heavy knockdown.


The great Jem Belcher
Egan describes this incident in his general profile of Cribb, as opposed to his round by round account of the fight, meaning it is unclear which round he claims it occurred in:
“Before the strength of Jem’s right hand had left him, the battle was saved to CRIBB by the following manoeuvre of Bill Warr – the odds were five to one on Belcher, and while Gulley, who seconded Jem, was offering the above odds to Warr, at the conclusion of a round, when CRIBB had received so severe a blow that he could not come to time, Warr, on accepting the bet, insisted that the money should be posted, and by this stratagem gained more than a minute, sufficient time for such a glutton as CRIBB perfectly to recover in.”


Bill Warr: cheat or strategist?
When considering if Egan’s account of this incident is accurate, we should bear in mind the fact that the fight took place in 1807 and Egan’s account of it did not appear until more than five years later. Furthermore, like many of the bouts he describes, we can not necessarily be sure that Egan actually attended the fight in the first place. If Egan wasn’t present at Cribb-Belcher then it begs the question – again - as to where he got his account of this incident from. Was it recounted to him by Belcher himself, before his untimely death in 1811? Perhaps. In which case, is it not likely that the embittered former champion may have exaggerated his account somewhat in order to denigrate his rival Cribb’s reputation?
Or perhaps Egan based his account on an anecdote he had heard from someone else who was present at the fight? Again, this seems feasible, in which case, once again, it is also seems reasonable to conclude that the account could easily have become exaggerated or embroidered in the years between the fight itself and Egan’s account of it being published.
While researching my upcoming book Richmond Unchained I sought to discover the truth of whether or not Belcher had been ‘cheated’, partly because my book describes the Cribb v Belcher contest (albeit briefly) and partly out of curiosity. Having read Egan’s account I then obtained and read as many newspaper accounts of the contest as I could find which were published in the fight’s immediate aftermath. In all, I found 17 newspapers that featured articles about the fight, which were as follows:
The Times, Stamford Mercury, Kentish Gazette,  Morning Post, Salisbury and Winchester Journal, Exeter Flying Post, Morning Chronicle, Staffordshire Advertiser, Oxford Journal, Bury and Norwich Post, Norfolk Chronicle, Hampshire Chronicle, Bath Chronicle and Weekly Gazette, Derby Mercury, Hampshire Telegraph, Hereford Journal, and Ipswich Journal.
My theory was that if the ‘long count’ incident described by Egan had occurred as he recounted it, then surely one of these newspapers would include it within their narrative? After all, one would expect a detailed account of a major fight to make careful note of such a controversial incident.

However, close study of these 17 accounts revealed that not a single one made any reference whatsoever to Belcher being cheated, or shenanigans on the part of Cribb’s team. The same was true of William Oxberry’s book Pancratia, a history of boxing which marginally pre-dates Boxiana and also contains no reference to Belcher being cheated in its account of the fight. (Incidentally, Pancratia, like Boxiana, appears to draw heavily on the sources listed above, especially The Times).   
Case closed? Not quite.

Closer scrutiny of the 17 accounts revealed that the majority were very similar in their wording, and had, it seemed, originated from a very small group of original sources or writers, before being re-published in various recycled and re-written forms.
Interestingly, many of the accounts did make an interesting reference to the 18th round, which is possibly the section of the fight Egan is referring to when he mentions Warr's chicanery. For example, the account of the 18th round in The Times reads as follows:
“18. Crib [sic.] received some most desperate body blows, as well as one of equal violence in the neck, and, on being followed up, he fell: to an ordinary spectator, it could not be supposed that he would ever rise again.”
This account is almost identical to Egan's later account of the 18th round, and also very similar to Oxberry's, suggesting they may all originate from the same single source. This also strengthens my belief that Egan predominantly used existing newspaper accounts as his sources, particularly in the first volume of Boxiana, while at the same time adding anecdotal information into his reports that he had gleaned from a mixture of fighters and fellow pugilistic enthusiasts.
Taken as a whole, the series of sources we have concerning the Cribb-Belcher fight strongly suggest that Cribb was knocked down in the 18th round so heavily that many spectators thought the fight was over. If we accept this as fact, then Egan’s claim that Warr needed to wangle extra time for Cribb to recover seems plausible, nevertheless until at least one further source from 1807 emerges which further backs up Egan's claim, it remains an unproven and unsubstantiated rumour. However, despite its shaky provenance, numerous boxing books that describe the Cribb-Belcher fight do not make it clear that the cheating theory is just that: a theory, a rumour, an unsubstantiated anecdote. We cannot say with any certainty that Belcher was ‘cheated’ when this theory rests on just one account of the fight, and an account that was composed several years after the fight occurred to boot!
This is not to say that Egan’s account of what happened is necessarily wrong, merely that the presumption that Belcher was ‘cheated’ of victory appears to have entered the public historical discourse without corroboration from any sources, save for Egan. (If someone can find a source which contradicts me on this then please email me at lgw007@yahoo.com)
This somewhat long-winded example is a very roundabout way of making the point that when researching Richmond Unchained I quickly realised that the contents of Boxiana had to be treated cautiously.
Yes, Boxiana is a rich and fascinating source, as well as wonderfully written, but it must always be used in conjunction with as many other sources as possible.
To a historian, I’m sure this is a pretty obvious conclusion, but I think it’s fair to say that not all boxing writers out there are adept historians. A deficit of rigorous historical research and methodology is certainly evident in many of the books that have been written about the bareknuckle boxing era, chief among them Ring Magazine founder Nat Fleischer’s utterly unreliable and borderline ridiculous Black Dynamite series (which I will examine in a future post).
To conclude, a few general observations about Boxiana and its reliability as far as Bill Richmond is concerned (this is, after all, a Bill Richmond blog!).
Several of these observations are explored in more detail in my forthcoming book Richmond Unchained, which will be published in August:
  1. In terms of the first Cribb v Molineaux fight, for which Richmond trained Molineaux, Egan’s account leaves much room for interpretation, misinterpretation and debate (as do other sources). This is something I examine in detail in Richmond Unchained.
  2. Egan’s account of Richmond’s first fight, against George Maddox is flawed, and has been responsible for an incorrect conclusion (namely that the fight lasted only three rounds) entering into the public domain.
  3. Egan does not score well on American geography. His stated birthplace for Richmond of Cuckold’s Town in Sturton Island is wrong on many levels.
  4. Egan’s chronology of Richmond’s career in 1808 and 1809 is all over the place – which has again led to misperceptions becoming commonly accepted as fact.

    Bill Richmond - Egan makes undoubted errors when detailing his career
To close, I think it’s worth emphasising that none of the above alters my admiration for Egan in any way. I remain a huge fan of his energy, his invention and his incredible facility with words.
Reading Egan is one of the great pleasures of life, particular for a boxing fan. However, he was primarily a dramatic and vivid writer, not a historian – and that’s something to always bear in mind when you leaf through Boxiana.

Wednesday, 7 January 2015

Is this Bill Richmond?

Digital image courtesy of the Getty's Open Content Program 
One of the myriad joys of the internet is its ability to bring together people with common interests and enthusiasms.

Over the last ten years I've made numerous contacts online who have helped enhance my knowledge of Bill Richmond and have opened up new research avenues for me. Without exception the people I have corresponded with have been decent, helpful, passionate and intelligent.

One such person is Jerry Leibowitz, who runs a thoughtful and fascinating blog entitled I discovered America. Like me, Jerry has a huge interest in Bill Richmond and he has also formulated a fascinating theory, namely that the sculpture pictured above, credited by the Getty Museum and the Yale Center for British Art as being the work of Francis Harwood in 1758, is actually a much later sculpture of ... yes! Bill Richmond!

Jerry's thesis is very convincing and very interesting ... check out his fascinating posts on the subject below:
Bust of a Man
Bust of a Man ... Alternate version
Bust of a Man, the Sequel - Bill Richmond Strikes Back

Meanwhile, this post contains Jerry's work on the historical background / context to his later work:
Follow the Money

And while I'm recommending further reading for you Richmondophiles out there, you should also check out another recent post of Jerry's: the first chapter of a novel he's writing about Bill Richmond. Well worth reading and a real appetiser for the full length novel to follow!

You know what? I love finding fellow Bill Richmond fans ... If we all work together, we can help even more people learn about Bill's amazing life and achievements.

So, God bless you Bill, and God bless you Jerry Leibowitz for helping spreading Bill's good name and wonderful story with your work and research.

Tuesday, 6 January 2015

Bill Richmond bookshelf: Staying Power


Over the next few months I’ll be taking the time to review some of the books, articles and research facilities which I have found useful during the decade-long process of researching and writing Richmond Unchained. This series begins with my thoughts on Peter Fryer’s Staying Power: The History of Black People in Britain.

Quite simply, any writer, historian or reader with an interest in ‘black history’ needs to own a copy of this book. Since its publication in 1984 Fryer’s near masterpiece has become the standard text on black British history, and it remains a model of concision, elegance and historical analysis.

Many would argue that ‘black history’ is still a neglected area of study, both within academic circles and also within the mainstream, however when this book first appeared the paucity of books on the subject was even more pronounced than it is today. Nevertheless, although many worthy books have appeared since examining the hitherto shamefully hidden and neglected histories of ‘minority’ groups in Britain, it remains disappointing that no ‘overview’ of black British history since Fryer’s work has come close to matching its comprehensive sweep.

(As an aside, the edition I own of the book is the sixth impression from 1992 and I’d be interested to know if the book has been updated at all since then or, indeed, since Fryer’s death in 2006 – I suspect not, which is a shame as it certainly warrants regular updating, even though Fryer is sadly not alive to perform the task himself).

Fryer himself was a fascinating figure.  Born in Hull in 1927, he later became a Communist Party member and wrote for the Yorkshire Post and Daily Worker. However he was apparently expelled from the party after dissatisfaction was expressed with his accounts of the 1956 Hungarian uprising and its suppression by the Soviets – events which Fryer, to his credit, condemned having observed them first-hand.

While working as a journalist, Fryer had also witnessed the arrival of the MV Empire Windrush in England in 1948, an ocean liner which brought with it many West Indian immigrants. This event ignited in him an interest in black British history, which he researched for many years before writing Staying Power.

Chief among Staying Power’s many virtues is its ability to puncture the many myths and untruths surrounding black history in Britain. Laudably, Fryer does this is a calm, measured way which avoids needless pontification or ideological grandstanding; witness for example, the masterful first sentence of the book - “There were Africans in Britain before the English came here” - which instantly undercuts the lazy assumptions often made by the ignorant or the bigoted. (Nigel Farage, for one, might do well to read Fryer's book!)

Despite Fryer’s Marxist / Communist leanings, the book never veers into didacticism and retains a simplicity of approach which is refreshing. It is at once academically rigorous and also accessible. Fryer’s own political sympathies are clear, and naturally influence his viewpoints but, to this reader at least, they are logically and reasonably outlined, without needless rhetorical flourishes that lesser writers might rely on to paper over gaps in their arguments or research. The book is all the more convincing as a result; for example, Fryer’s analysis of the link between slavery and the development of the British economy is extremely well explained.

During the first two or three months when I was researching Bill Richmond’s life (way back in 2003) I devoured Fryer’s book in about two days. I found it hugely valuable in enabling someone such as myself with a decent grasp of ‘black history’ - albeit one lacking in detail and refinement - to understand the social and cultural context of the times in which Bill Richmond lived, as well as the times which preceded and followed him. For example, references within Fryer’s book to Malachy Postlethwayt and Ukawsaw Gronniosaw opened up fruitful research avenues for me that have found their way, in one form or another, into the texture of Richmond Unchained, particularly the chapter where I take a brief detour myself into the history of black people’s presence in Britain.

Amid my otherwise fulsome praise, though, I do have one caveat.

I described the book earlier as a ‘near masterpiece’ and I use this phrase deliberately so, for the simple reason that I found Fryer’s work on Bill Richmond himself, and his protégé Tom Molineaux, somewhat sloppy and over-reliant on second-hand rather than primary sources. Several of the ‘facts’ Fryer recounts about Richmond are, to be blunt, not accurate, or at any rate cannot be proved correct beyond reasonable doubt based on existing sources or the sources which Fryer cites. To give one such example, Fryer states that Richmond’s parents were “Georgia-born slaves”, which has never actually been proven. He also accepts too readily (and over-relies on) Pierce Egan’s accounts of Richmond’s boxing career, with seemingly no consideration for the dramatic licence Egan may have employed, or the errors he may have made. Other factual errors also creep in; for example, Fryer states that Richmond fought Jack Carter in 1808 – which is incorrect. In common with many other writers, Fryer also claims that it was Richmond’s wife’s wealth that enabled him to come landlord of the Horse and Dolphin pub – a myth that I believe I pretty definitively debunk in Richmond Unchained. Fryer also makes a major error of omission by not mentioning Richmond’s role at George IV’s coronation celebrations, which it seems to me are a crucial symbol for the lofty status he managed to achieve – through boxing – within Georgian society.

Perhaps, given that his accounts of Richmond and Molineaux’s lives appear in an appendix, rather than the main body of his narrative, Fryer did not feel the need to research them as meticulously as the rest of the book. This is a rare miscalculation on his part, as is his decision to relegate these two crucial historical figures to an appendix in the first place, rather than the book’s main narrative, where they really belong.

I could go on in terms of the shortcomings of Fryer’s accounts of Richmond and Molineaux’s careers, but it would probably be churlish to do so; especially when, in the final analysis, Staying Power is a work of rare integrity and significance as well as lasting historical value.